The Complete Works of W. H. Auden: Libretti and Other Dramatic Writings, 1939-1973

The Complete Works of W H Auden Libretti and Other Dramatic Writings W H Auden called opera the last refuge of the High Style and considered it the one art in which the grand manner survived the ironic levelings of modernity He began writing libretti soon after he arr

  • Title: The Complete Works of W. H. Auden: Libretti and Other Dramatic Writings, 1939-1973
  • Author: W.H. Auden
  • ISBN: 9780691033013
  • Page: 302
  • Format: Hardcover
  • W H Auden called opera the last refuge of the High Style, and considered it the one art in which the grand manner survived the ironic levelings of modernity He began writing libretti soon after he arrived in America in 1939 and abandoned his earlier attempts to write public, political drama Opera gave him the opportunity to rise to the high style in public, not in anW H Auden called opera the last refuge of the High Style, and considered it the one art in which the grand manner survived the ironic levelings of modernity He began writing libretti soon after he arrived in America in 1939 and abandoned his earlier attempts to write public, political drama Opera gave him the opportunity to rise to the high style in public, not in an attempt to elevate his own status as a poet, but in service of the heroic voice of the singers These works present their mythical actions with a direct intensity unlike anything in even his greatest poems In this volume of Auden and Chester Kallman s libretti, extensive historical and textual notes trace the history of the production and revision of the works and provide full texts of early scenarios, as well as abandoned and rewritten scenes.Almost all the works included here were previously published in incomplete and often inaccessible editions or were never published at all The book prints for the first time the full text of Paul Bunyan, Auden s first libretto, which he wrote for music by Benjamin Britten It also includes Auden and Kallman s The Rake s Progress, written for Igor Stravinsky, and Delia, written for Stravinsky but never set to music The book continues with Auden and Kallman s two libretti written for music by Hans Werner Henze, Elegy for Young Lovers and The Bassarids, and their adaptation of Love s Labour s Lost, composed by Nicolas Nabokov It also contains their translation of The Magic Flute, with its scenes reordered for greater dramatic coherence and added dialogue for sharper mythical significance, and their antimasque, The Entertainment of the Senses, for music by John Gardner.The book contains two radio plays The Dark Valley, a monologue written by Auden alone, and The Rocking Horse Winner, written with James Stern and based on a story by D H Lawrence Also included are the unpublished masque that Auden wrote for Kallman s twenty second birthday, the unpublished versions of The Dutchess of Malfi that Auden prepared with Bertolt Brecht, scenarios for a film script and a libretto that were never completed, Auden s narrative for the medieval Play of Daniel, two narratives for documentary films, and his song lyrics written for Man of La Mancha before the producer decided to use a different lyricist.

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    1. From the Prologue of 'Paul Bunyan' (Benjamin Britten):TRIO OF GEESE:It isn't very often the Conservatives are wrong,To-morrow normally is only yesterday again,Society is right in saying nine times out of tenRespectability's enough to carry one along.But once in a while the odd thing happens,Once and a while the dream comes true,And the whole pattern of life is altered,Once in a while the Moon turns blue.()TRIO OF GEESE (continue):Attempts at revolution are a failure as a rule,The eccentric or un [...]

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