The Portrait of Eccentricity: Arcimboldo and the Mannerist Grotesque

The Portrait of Eccentricity Arcimboldo and the Mannerist Grotesque In this companion to his The Cornucopian Mind and the Baroque Unity of the Arts Maiorino examines the links between Renaissance and the modern versions of the Groteseque In this interdisciplinary stu

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  • Title: The Portrait of Eccentricity: Arcimboldo and the Mannerist Grotesque
  • Author: Giancarlo Maiorino
  • ISBN: 9780271023205
  • Page: 466
  • Format: Paperback
  • In this companion to his The Cornucopian Mind and the Baroque Unity of the Arts, Maiorino examines the links between Renaissance and the modern versions of the Groteseque.In this interdisciplinary study, the term eccentricity refers to styles of playful extravagance Maiorino focuses on the rhetorical figures of excess employed by a critic historian Giorgio Vasari , onIn this companion to his The Cornucopian Mind and the Baroque Unity of the Arts, Maiorino examines the links between Renaissance and the modern versions of the Groteseque.In this interdisciplinary study, the term eccentricity refers to styles of playful extravagance Maiorino focuses on the rhetorical figures of excess employed by a critic historian Giorgio Vasari , on the willful artificiality of a painter Giuseppe Arcimboldo , and on the programmatic and interpretive commentary of a theorist Gregorio Comanini.Maiorino draws subtle and persuasive connections between the images he discusses and the grotesque face of sixteenth century poetics and rhetoric He sets the mannerist and the grotesque against the philosophical seriousness of Renaissance humanism, interpreting them as a celebration of the ludic and fantastic possibilities of art itself Aiming at pleasure rather than instruction, this art plays on the boundaries of the natural and the artificial, the credible and the impossible, taking delight in parody, excess, disjunction, and exaggeration.

    One thought on “The Portrait of Eccentricity: Arcimboldo and the Mannerist Grotesque”

    1. This is a well written historical contextualisation of the work of Arcimboldo which includes poetics and architectural references, and a wealth of intriguing material to the layman and scholar alike. The detailing of the theme of transcendental exaggeration is particularly useful, but by no means the only point of interest. Giancarlo Maiorino is one of my favorite authors!

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