Savoring Disgust: The Foul and the Fair in Aesthetics

Savoring Disgust The Foul and the Fair in Aesthetics Disgust is among the strongest of aversions characterized by involuntary physical recoil and even nausea Yet paradoxically disgusting objects can sometimes exert a grisly allure and this emotion ca

Disgust Disgust is an emotional response of rejection or revulsion to something potentially contagious or something considered offensive, distasteful, or unpleasant In The Expression of the Emotions in Man and Animals, Charles Darwin wrote that disgust is a sensation that refers to something revolting Disgust is experienced primarily in relation to the sense of taste either perceived or imagined Can Money Buy Happiness Scientific American Scientific American is the essential guide to the most awe inspiring advances in science and technology, explaining how they change our understanding of the world and shape our lives. Zest positive psychology In positive psychology, zest is one of the strengths possessed by humanity As a component of the virtue of courage, zest is defined as living life with a sense of excitement, anticipation, and energy.Approaching life as an adventure such that one has motivation in challenging situations or tasks Zest is essentially a concept of courage, and involves acquiring the motivation to Nameless Breeding Slut Fetish Literotica All characters are eighteen years of age or older Please comment and let me know what you think of the story Thanks for reading Jason sat at the hotel bar and ordered a drink, not sure how many he would have before going home. A Place to Call Home A Novel Deborah Smith Twenty years ago, Claire Maloney was the willful, pampered, tomboyish daughter of the town s most respected family, but that didn t stop her from befriending Roan Sullivan, a fierce, motherless boy who lived in a rusted out trailer amid junked cars. Panty Bondage Mother and Daughter ASSTR WARNING ADULTS ONLY The following story contains very strong sexual themes Do not read it if you are under years old. MOTHER AND DAUGHTER The women were obviously related quite closely Both of them were slim and petite, with shoulder length dark brown hair and blue eyes, though the older of the two was slightly fleshy around her hips and bosom. Queen Of Basel Reimagines Miss Julie in Modern South Beach Amid the rise of the metoo movement, the surprise in the new play Queen of Basel, subtitled Or an unapologetic response to Strindberg s Miss Julie, is just how closely this modern day riff still echoes the sadly timeless themes of the original But Hilary Bettis script, expand and dig deeper into Strindberg s naturalistic examination of a war between the sexes mingled with a war of Broaden and Build Theory of Positive Emotions PDF The broaden and build theory could be defined as a model for explaining the mechanisms behind positive emotions in our minds and bodies, what their effects are, what the evolutionary reason is behind them and why studying them is so important for our well being. Studying emotions has always been a challenge There are different points of view as to what is considered an emotion. asstr Kim milked the rest of my cum from my cock as she licked it off the tip and swirled her tongue around the head savoring my taste in her mouth with the statement, Hmmmm, tasty Gratefully, I said, Thank you, Kimmy, that was great as usual. Happiness Definition What Is Happiness Greater Good Nov , Most of us probably don t believe we need a formal definition of happiness we know it when we feel it, and we often use the term to describe a range of positive emotions, including joy, pride, contentment, and gratitude.

  • Title: Savoring Disgust: The Foul and the Fair in Aesthetics
  • Author: Carolyn Korsmeyer
  • ISBN: 9780199756933
  • Page: 493
  • Format: Paperback
  • Disgust is among the strongest of aversions, characterized by involuntary physical recoil and even nausea Yet paradoxically, disgusting objects can sometimes exert a grisly allure, and this emotion can constitute a positive, appreciative aesthetic response when exploited by works of art a phenomenon labelled here aesthetic disgust While the reactive, visceral qualitDisgust is among the strongest of aversions, characterized by involuntary physical recoil and even nausea Yet paradoxically, disgusting objects can sometimes exert a grisly allure, and this emotion can constitute a positive, appreciative aesthetic response when exploited by works of art a phenomenon labelled here aesthetic disgust While the reactive, visceral quality of disgust contributes to its misleading reputation as a relatively primitive response mechanism, it is this feature that also gives it a particular aesthetic power when manifest in art Most treatments of disgust mistakenly interpret it as only an extreme response, thereby neglecting the many subtle ways that it operates aesthetically This study calls attention to the diversity and depth of its uses, analyzing the emotion in detail and considering the enormous variety of aesthetic forms it can assume in works of art and unexpectedly even in foods In the process of articulating a positive role for disgust, this book examines the nature of aesthetic apprehension and argues for the distinctive mode of cognition that disgust affords an intimate apprehension of physical mortality Despite some commonalities attached to the meaning of disgust, this emotion assumes many aesthetic forms it can be funny, profound, witty, ironic, unsettling, sorrowful, or gross To demonstrate this diversity, several chapters review examples of disgust as it is aroused by art The book ends by investigating to what extent disgust can be discovered in art that is also considered beautiful.

    One thought on “Savoring Disgust: The Foul and the Fair in Aesthetics”

    1. Disgust is a fascinating emotion. It is visceral and immediate. One cannot reason one's way out of feeling it and its sudden emergence is automatic. It is in disgusts very nature to repel, to draw one away from its object; much like fear. However, Fear, unlike disgust, is repelling but it is not necessarily repulsive. We can fear and not be moved to look away, we can often cognitively bypass fear and even enjoy fear in cheap thrills or the experience of the sublime. Fear can be incorporated in a [...]

    2. This book is so interesting. I really appreciate the way Korsmeyer shows how far back the evocation of disgust goes in Western art, because I think there's a tacit assumption that it "really" is a "new" thing. It would make interesting reading alongside Siebers' "Disability Aesthetics" article.

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