From Lowbrow to Nobrow

From Lowbrow to Nobrow Swirski begins with a series of groundbreaking questions about the nature of popular fiction vindicating it as an artform that expresses and reflects the aesthetic and social values of its readers He

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  • Title: From Lowbrow to Nobrow
  • Author: Peter Swirski
  • ISBN: 9780773529922
  • Page: 404
  • Format: Hardcover
  • Swirski begins with a series of groundbreaking questions about the nature of popular fiction, vindicating it as an artform that expresses and reflects the aesthetic and social values of its readers He follows his insightful introduction to the socio aesthetics of genre literature with a synthesis of the century long debate on the merits of popular fiction and a study of gSwirski begins with a series of groundbreaking questions about the nature of popular fiction, vindicating it as an artform that expresses and reflects the aesthetic and social values of its readers He follows his insightful introduction to the socio aesthetics of genre literature with a synthesis of the century long debate on the merits of popular fiction and a study of genre informed by analytic aesthetics and game theory Swirski then turns to three nobrow novels that have been largely ignored by critics Examining the aesthetics of artertainment in Karel Capek s War with the Newts, Raymond Chandler s Playback, and Stanislaw Lem s Chain of Chance, crossover tours de force, From Lowbrow to Nobrow throws new light on the hazards and rewards of nobrow traffic between popular forms and highbrow aesthetics.

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    1. Peter Swirski’s From Lowbrow to Nobrow is a typical culture study that doesn’t limit itself to literature alone. It also involves a survey of book publishing and selling, and a discussion of genres, aesthetics and others. What is the tenor behind all this? In a word, doing justice to popular fiction that has become too predominant to ignore.“The death of the book?” so begins his study. Swirski soon proves it a modern myth by the use of ample and convincing data indicating that far from d [...]

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